NOW WITHOUT NICOTINE and EVEN MORE UNCOMFORTABLE CONSISTENTLY

Introduction To Sleez:
By any standard, he was quite outstandingly ugly but his artwork left him looking better by comparison. Yet he was still hairy, and gross, and filthy... entirely obscene and acting as a Cronenberg film brought to life. If there is such a thing as counter-culture, Adam Plant's work amplifies all of it and pushes a force of artistic darkness.  A mephistophelian figure who serves as a lone brutal reminder of creativity's potential to envoke chaos and hostility. Adam's genre-bending work is a bizarre brew of satire and complexity which holds a distorted mirror to both ourselves and the narcotic perverted society that we created.  Within his career, Adam has published multiple books, music albums, and films which have been republished around the globe. Using his background in film, music, writing, photography, and visual art; Adam founded the entertainment label EEZY SLEEZ in 2017 in order to develop a community of like-minded lunatics.  His work is heavily inspired by a nostalgic appreciation of the chaos found in our modern online society and has been previously described as a "visual feast" followed by "conceptual food poisoning". Outside his artistic endeavors, Adam is a fierce advocate for freedom of speech, freedom of thought, and freedom of education (he even annually donates to Wikipedia for goodness sake!). Moreover, Adam is a firm supporter of universal human rights as well as the support of mental health. 

Pretentious Artist Statement:
In a setting dictated by prestigious diplomas and upper-class nose turns, I question whether the prospects of humour and sleez belong in the world of art. Of course, I’m not talking about highbrow snickering dressed in a rented tuxedo; I’m pointing towards the off-centred satire which clogs the gutters and floods the streets of everyday existence. In my eyes, creativity and depravity are closely related, if not conceptual siblings. I mean, does art imitate life or does life imitate art? Either way, the final result should logically represent an abstract joke or a simple smutty remark. My work has been previously described as “a feast for the senses” followed by “conceptual food poisoning”. Many of my works centre on themes of depravity in contemporary fashion, unnecessary professionalism, as well as my own doubt surrounding current popular trends. When formulating a set of artworks, I find it challenging not to integrate my own personal experiences within the subject matter and subsequently, much of the imagery explored within these pieces relate directly to my uncomfortable everyday existence mixed with my vitriolic attitudes.